Now that that unreconstructed international rebel, Mickey Mouse, has been thrown out of Yugoslavia for conspiring against the throne —he together with the newspaper correspondent who rashly reported the plot—the expulsions from foreign countries of this arch-enemy of nations have risen to two. Hitler once barred him from Germany because Mickey was accompanied by a brigade of animals wearing Uhlan helmets, which was a reflection on the honor of the German Army and too serious to be passed over. Of course, Mickey was eventually pardoned, because not even dictators are completely immune to his spell; Mussolini loves him.
The incident in Yugoslavia serves again to emphasize the international character of Mickey's activities, the boring from within by means of which he is winning the populations of a good part of the world to his cause. He is apparently without principles and can be all things to all men. While Yugoslavia suspects him of communistic and revolutionary designs, the Soviet thinks he represents the meekness and mildness of the masses under capitalism, and has countered by creating a Russian Mickey, known as Yozh, or the Porcupine, an animal favorite of Russian children. But Yozh will probably turn out to be the old Mickey in disguise.
Mickey does not care what he does so long as he gains his ends—he is completely unscrupulous—and while his victims laugh he conspires. Or so one might think. Walt Disney, his father and Prime Minister, slyly deprecates the subtleties of Mickey's character. He says that all Mickey wants is laughter, that he has no ulterior thoughts, no philosophy of life, no hidden political, social or psychological motivations, none of the Eastern mysticism of which he is sometimes suspected, with reason, as will be seen. Those who read anything else into his life are all wrong, says Mr. Disney—but look at the record, as Al Smith used to remark.
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