Document details

Eyeyball to Eyeball
Animator, Andrew Gordon is eyewitness to Mike Wazowski's labors for Monsters, Inc.
David McDonnell

Has anybody shown you the Love Lounge?" animator Andrew Gordon asks.

Its a provocative question. Could it be that hidden deep inside Pixar Animation Studios new headquarters in Emeryville, CA, there is some secret enclave catering to illicit activities, where bootleg liquor is served, cool jazz plays and couples dance till dawn?

Well, no, uhhhh, not really.

This Love Lounge is made of smaller stuff. It can only be reached on hands and knees through a wee door in Gordons office. Beyond, a crawlspace beneath an air conditioning duct hosts a miniature faux night club. A gleaming, crystal disco ball chandelier (the gift of Pixars John Lasseter) hangs not-too-high above, illuminating a dwarfish dance floor, one petite love seat, a mere scintilla of party tinsel and the pint-sized closed-circuit TV (the better to spy on outsiders petitioning for entry with the days password and secret handshake).

To foster a fun-loving, creative atmosphere, Pixar employees can decorate their offices however they desire (and most do), but Gordon has taken that idea to exotic, if diminutive, heights. Here, there's just space enough for three adults and one chubby child to stand together in this cramped club de closet—where Gordon now hosts journalist and publicist, serving up teeny tiny wrapped chocolate liqueurs shaped like vodka bottles. The walls have been autographed by VIP visitors who have literally crawled into the Love Lounge—Lasseter, Disney CEO Michael Eisner, Pixar & Apple Computers head Steve Jobs and Billy Crystal.

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Location

Source

Title
Source type Magazine
Volume 295
Published
Language en
Document type Feature
Media type text
Page count 4
Pages pp. 56-59

Metadata

Id 4572
Availability Free
Inserted 2019-12-19