It is morning in San Francisco and a multinational group of journalists is sitting around a table facing an elegant woman in her mid-seventies.
Dressed all in grey – silk shirt, checked skirt and jacket – with her neatly coiffed head tilted slightly to one side, she is listening closely to a flustered Spanish journalist.
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Diane rarely speaks to the press; for the past 40 years she’s lived in relative obscurity in California’s Napa Valley. She’s agreed to be interviewed to celebrate the 70th anniversary of Fantasia, her father’s masterpiece and her favourite – today, at least – of the Disney canon. And people have flown from all over the world to meet her.
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